Yet, making such a jump in growth may have been over-ambitious, meaning 'On the Impossible Past' is exactly the album The Menzingers needed to record in the present. It really is difficult not to compare the two LPs side by side, since many will feel that combining their strengths would have resulted in an 'Album of 2012' contender.
Subtle factors such as the dual vocals of Tom May & Greg Barnett, and the poetic fashion in which raw emotions are delivered, mean there is much more layered complexity evident than first meets the ear.
Where this album bridges the quality differential is the way in which its meticulous song-writing enhances both cohesiveness and replay value. No chorus is as catchy as that of 'Who's Your Partner?', while no guitar line bests what 'Deep Sleep' has to offer. With its generally mid-tempo pace not being as strikingly immediate as 'Chamberlain Waits', 'On the Impossible Past' does not reach the individual heights of its predecessor. The Menzingers also integrate classic rock and classic punk influences on a tune such as 'Sun Hotel', while the beginning of 'The Obituaries' even reminds of The Who. For instance, the near spoken-word delivery of the verses to 'I Can't Seem to Tell' work better than the awkward dual-tempo loudness of 'Ava House'. The 42 minute duration also allows for some interesting experimentation, even if it is to mixed results. While no less captivating here, the discordant, more electrified production adversely affects their tone noticeably, resulting in a few too many unmemorable melodies. Of more contention is the dual guitar work which was such a strength of 'Chamberlain Waits'. While the accomplished rhythm section provides an ever-sturdy backbone, very little is ground-breaking and often blurs into the mix. Whether intentional or a by-product of signing to Epitaph Records, one cannot help but feel that this talented quartet are capable of better. Since the song-writing is clearly the focus of 'On the Impossible Past', it is often more difficult to penetrate from a musical standpoint. In fact, it could be argued that limiting their tales to such a setting may have an adverse effect on international and/or younger listeners being able to empathize. "Dreaming the dream, singing songs of another time" states 'Nice Things', with 'Gates', 'Mexican Guitars' and vocal highlight 'Casey' especially following that thematic motif. Immersive storytelling is the name of the game here, and the listener is often transported back to a time and place where "American muscle cars" were today's smart-phone, while diner waitresses were anything but ignored. Successor 'Burn After Writing' references the "blue cotton dress" from 2010 track 'Time Tables', while the titular device of 'The Obituaries' is used effectively in conjunction with one of the album's few true shout-along moments. This is immediately evident from the brief, ironically titled opener 'Good Things', where reflective pessimism is expertly delivered in alternately lethargic and passionate fashion. Here, it is in the song-writing which The Menzingers have undoubtedly grown markedly since their critically acclaimed second album. Whatever it was, the next step of their fascinating progression is laid bare on third LP 'On the Impossible Past' a compelling album which is rich in storytelling and follows the nostalgic, Americana themed template set down by New Jersey's The Gaslight Anthem. Maybe it was incorporating lyrics concerning Greek mythology, 19th century poems and World War II sieges, or it could have possibly been the mesmerizing tones of their fantastic guitar lines. Yet, there was something bubbling underneath the surface which suggested that the Pennsylvanian quartet had greater ambitions. Sure, their debut LP 'A Lesson in the Abuse of Information Technology' was as uneven and raucous as what their peers were releasing, while follow-up 'Chamberlain Waits' added the necessary dose of melody and anthemic sing-alongs.
Review Summary: "Coz I cursed my lonely memory with picture-perfect imagery".Įver since their inception in 2006, The Menzingers did not quite seem like your average punk-rock band.
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